Georgia Aitaki

Forthcoming Chairetis, S. & Aitaki, G., ‘Repackaging the Past: Commodification, Nostalgia and Feminist/Queer Pleasures in Netflix originals GLOW (2017-) and Hollywood (2020), in Christina Adamou and Sotiris Petridis (eds.), Video Streaming Services and the Future of Television, Jefferson, NC and London: McFarland & Company [scheduled to come out in 2023]

Forthcoming Aitaki, G. & Chairetis, S., ‘Greek Sleuths and Tough Cops: Noir Masculinities in Television Crime Shows (1992-2020)’, in Anna Poupou, Nikitas Fessas, and Maria Chalkou (eds.), A Darker Greece: Film Noir and Greek Cinema, Edinburgh: Edinburgh University Press [scheduled to come out in 2022]

2021 Aitaki, G. & Carlsson, N. ‘Farmer Wants a (Swedish) Wife: White mobilities in reality romance show Bonde söker fru – Jorden runt’, VIEW: Journal of European Television History and Culture, 10 (20), pp. 64-82, http://doi.org/10.18146/view.270

2021 Aitaki, G., Papadimitriou, L., and Tzioumakis, Y., ‘Locating and Localizing Media Industry Studies: The Case of Greece’, in Paul McDonald (ed.), Routledge Companion to Media Industries, London & New York: Routledge, pp. 107-116.

2020 Aitaki, G., Papadimitriou, L., and Tzioumakis, Y. ‘Greek Screen Industries: From Political Economy to Media Industry Studies’, Journal of Greek Media & Culture, 6 (2), pp. 155–178, https://doi.org/10.1386/jgmc_00011_1

2020 ‘In search of the Greek television author: The social dramas of Manousos Manousakis’, Screen, 61 (3), pp. 403–422, https://doi.org/10.1093/screen/hjaa040

2020 ‘Making television fiction in a commercial context: Commercialization, ideology and entertainment in a production study of Greek private television’, Journal of Greek Media & Culture, 6 (2), pp. 219–240, https://doi.org/10.1386/jgmc_00014_1

2019 Aitaki, G. & Chairetis, S., ‘Introduction to Greek Television Studies: (Re)Reading Greek Television Fiction since 1989’, Filmicon: Journal of Greek Film Studies, (6), 1–17.

2019 ‘Laughing with / at the national self: Greek television satire and the politics of self-disparagement’, Social Semiotics, 29 (1), pp. 68–82 [Online First, 2017], DOI: 10.1080/10350330.2017.1408893

2018 ‘Domesticating pathogenies, evaluating change: The Eurozone crisis as a ‘hot moment’ in Greek television fiction’, Media, Culture & Society, 40 (7), pp. 957–972 [Online First, 2017], DOI: 10.1177/0163443717734403